[It’s hard not to think about the climate crisis every day in 2024, but it’s impossible not to do so on Earth Day. So this week in honor of that solemn occasion, I’ll AmericanStudy cultural works that represent and help us engage with climate change.]
On the
long legacy of cli fi, and a stunning recent novel that reveals the genre’s
true potential.
The term “cli fi” (for
“climate fiction”) has only been around for the last 10 years
or so; it was apparently first coined in 2011 by activist and author Dan Bloom to
describe Jim
Laughter’s novel Polar City Red, and then
gradually picked up by various media
voices and stories around 2013-2014. But as with so many
literary genres, there are numerous earlier authors and works that can
productively be classified within this frame, including Jules Verne’s The Purchase of the North Pole (1889),
Laurence Manning’s The Man Who Awoke (1933),
multiple novels by
J.G. Ballard, and Octavia Butler’s Parable of the Sower (1993)
and Parable of the Talents (1998),
among others. While all of those works are distinct and specific, I’d say that
all of them fall under the broad umbrella of science fiction, wedding as they
do their realistic depictions of science and the natural world to imagined
futures in which (generally) worst-case climate and environmental scenarios
have come to pass and humans (individually and/or collectively) are dealing
with the aftermaths.
Sci fi cli
fi (say that five times fast) has continued to be a prominent sub-genre here in
the 21st century, as exemplified particularly clearly by science
fiction legend Kim
Stanley Robinson’s Science in the Capitol trilogy (comprising
the novels Forty Signs of Rain
[2004], Fifty Degrees Below [2005],
and Sixty Days and Counting [2007]). But
as we’ve moved further and further into a world where climate change is not an
imagined future scenario but a very, very real
present reality, we’ve concurrently seen authors begin to produce as well cli fi
novels and stories that depict, respond to, and engage in more socially
realistic ways that present world. That list includes, among others, Barbara
Kingsolver’s Flight Behavior (2012),
Sophie Mackintosh’s The Water Cure (2018), a
number of the stories in John Joseph Adams’ edited anthology Loosed Upon the World: The Saga Anthology of
Climate Fiction (2015), and one of the most acclaimed and
powerful American novels in recent memory, Richard Powers’ Pulitzer
Prize-winning The Overstory (2018).
Yet in
truth, to classify The Overstory as
an example of more contemporary and/or socially realistic fiction is no more
accurate than to describe it as science fiction. Powers’ book does trace the
individual yet ultimately interconnected stories of nine realistic fictional
characters, all Americans living in our early 21st century moment,
all descended from family and communal histories involving trees in central
ways. But through that shared theme, and through his structural and narrative
choices as well, Powers ultimately produces a work that I would call a
historical novel in which the history (as well as the present and future) of
the world is viewed through the lens of trees and forests, rather than through
the perspectives or experiences of humans (individual or collective, fictional
or real). Which is to say, Powers’ first cli fi novel (his latest, 2021’s Bewilderment, has been
described that way as well, but I haven’t had the chance to read it) isn’t just
about climate change or environmentalism—it makes the environment, and
specifically trees, its main character, main narrative perspective, and
ultimately main emphasis, above (in every sense) and beyond us transient
humans.
Next
climate culture tomorrow,
Ben
PS. What
do you think? Climate texts of any type you’d share?
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