[On March 30,
1964, the legendary game show Jeopardy
debuted. So this week I’ll AmericanStudy that classic and a handful of other
game show histories! Add your thoughts, obviously in the form of a question, in
comments!]
On a more
straightforward and a more subtle context for a pair of groundbreaking game
shows.
After the late
1950s quiz show scandals about which I wrote in yesterday’s post, TV game shows
didn’t go away, nor did the genre leave quiz shows entirely behind, as the 1964
inspiration for this week’s series reflects (and on which I’ll have more to say
in Friday’s post). But TV game shows did evolve significantly in the 1960s, and
one of those evolutions was toward shows focused on dating and romance. 1965
saw the creation of one hugely popular such show, Chuck Barris’ The Dating Game (hosted
by Jim Lange); a year later another was created, Nick Nicholson and E. Roger
Muir’s The Newlywed Game (hosted
by Bob Eubanks); and from then on these two shows were consistently connected,
both in original episodes and in syndication (and even more fully in their
1990s joint revival, when the pair was known as “The Dating-Newlywed Hour”).
Pairing
these two game shows offers a fascinating window into a period when social
mores around romance were likewise evolving, as illustrated by The Dating Game’s relatively casual
approach to the idea of an individual (and usually a single woman, although
sometimes the genders of contestant and candidates were reversed) choosing
potential romantic partners from a trio of anonymous single suitors. The Newlywed Game could thus be read as
a more traditional counterpart, one focused on heterosexual couples who were
already partnered up in that more conventional way (although the preponderance
of Newlywed Game questions centered
on what Eubanks called “making
whoopee” was at least a bit controversial on 1960s TV). Since both shows
remained on the air for many years, and then again were revived together in the
1990s, it would likewise be fascinating to consider how their individual and
complementary depictions of romance themselves evolved as the shows went on (giving
that one away as a Media Studies dissertation topic).
One of the
complaints that’s been consistently directed at 21st century dating
game shows (and with
cause) is that the contestants are there not to find romance or love, but to
become famous. The rise of the internet and social media and other such
avenues to fame has no doubt changed the landscape of dating games, like all
game shows (and all cultural forms period). But it’s also worth noting that
these 1960s dating games likewise featured a number of both soon-to-be-famous
and already-famous figures: The Dating
Game in particular saw, to name just a handful, Farrah Fawcett, Tom Selleck,
Andy Kaufman, Kareem
Abdul-Jabbar, and a very young Michael Freaking Jackson;
The Newlywed Game did mostly feature
non-famous couples in its earliest iterations, but would go on to include celebrity
couples such as George
Takei and his husband Brad Altman. Which is to say, it’s always been a fair
question how much of these dating game shows has to do with dating and how much
with games of very different, and very culturally telling varieties.
Next game
show histories tomorrow,
Ben
PS. What
do you think? Other game shows you’d highlight?
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