[Last week, I
began teaching my graduate
American Historical Fiction: Practice and Theory class for the fourth time,
this time as a hybrid course. So this week I’ve briefly highlighted (busy with
teaching and all) a handful of exemplary historical fictions and related
contexts, leading up to this crowd-sourced post drawn from the responses and
nominations of fellow HistoricalFictionStudiers. Add your own in comments, please!]
Responding to
Monday’s post, Bill
Harshaw writes, “It's been 60 years or so since I was reading Kenneth
Roberts' novels. Though Roberts was popular, I think one of the most
popular historical fiction writers of the time, and apparently quite
conservative, he did present
Benedict Arnold as a hero. Would be interesting to see what a modern
audience and modern historians make of him.”
Kisha
Tracy also goes “Old School: Rafael Sabatini, Samuel Shellabarger, and Kenneth Roberts.” Of Roberts she writes, “Haven't
read him for a while, so hoping he holds up. But I enjoyed him when I was
younger.” And she adds, “Bernard
Cornwell and Marion Zimmer Bradley too, and Baroness
Orczy.”
Other
nominations:
Paige Wallace
writes, “I'm a big fan of the Outlander
series. Gabaldon does an amazing job of
recreating history and using historical events to shape her story.” She adds,
“Robert K. Massie's Catherine the Great is a wonderful book as well. Sometimes Russian history
can be difficult to get into because of all the names and details but he does a
fantastic job of putting it all together that makes it not only educational but
enjoyable!”
Kelley Smolinksi shares, “Lord of the Flies has become a favorite to teach - especially when
comparing the events of the novel to events in the war. Especially when we look
at how people fight each other and how quickly it spirals.”
Abby Mullen highlights “Patrick O’Brian!,” adding “I often joke that you should never read
a history book about the Age of Sail unless one of its blurbs invokes his
name.”
On O’Brian, Diana Muir Appelbaum Tweets,
“Re-read O’Brian recently. Surprised by how 1980s/90s it felt.” She adds a
thread of further thoughts on the series, beginning here.
Debbie
Lelekis writes, “I love Isabel Allende's books: Island Beneath
the Sea, Daughter of Fortune, Portrait in Sepia. And anything by Geraldine Brooks (especially Year of
Wonders and Caleb's Crossing).”
She adds, “Caleb's Crossing would be
really interesting to teach in a course about early America because it's about
the first
Native American to graduate from Harvard in the
seventeenth century.”
Michael Giannasca shares, “I read For Whom the Bell Tolls by Ernest Hemingway a few months ago and I thought it was
great.”
Veronica Hendrick highlights Upton Sinclair’s Manassas: A Novel of the Civil War and Michael Shaara’s The Killer Angels, along with the historical epics of James
Michener and Leon Uris.
Michele Townes highlights, “Winds of War and War and Remembrance by Herman
Wouk,” adding, “the narrator for the audiobook does all the dialects and makes the series come to life.”
Matt Ramsden writes, “George Saunders’ Lincoln in the Bardo is great. Also the
audiobook is amazing.” Ilene
Railton adds, “Just finished this and was blown
away. Very powerful, strange, funny, and so tragic.” And Andrea
Grenadier adds, “I LOVED that book! It just
ambushes you throughout, with such crazy beauty and tragedy. I have never read
anything like it.”
Tim
McCaffrey highlights Louis de Bernieres’ (Captain) Corelli’s Mandolin
[different names in the UK and US].
Rala
Diakite nominates, “Edwidge Danticat’s The Farming of Bones. It's about the 1937 massacre in Haiti. Loved this.”
AnneMarie
Donahue highlights Alison Weir and
Philippa Gregory., to which Veronica Hendrick adds Hilary Mantel’s Wolf Hall.
Jennifer
Fielding seconds the Weir recommendation.
James Golden shares, "I really enjoyed Sharon Kay Penman's The Sun in Splendour, about Richard III."
James Golden shares, "I really enjoyed Sharon Kay Penman's The Sun in Splendour, about Richard III."
Vincent
Kling shares, “Mary Lee Settle has a fine set
of five novels going from Cromwell's England to
Mother Jones about the settlement of the present West Virginia. Collectively
called O Beulah Land, not to be
confused with other novels of the same title. The best one is the second,
itself titled O Beulah Land.
DeMisty
Bellinger-Delfeld writes, “I like Timothy
Schaffert (The Swan Gondola) and The Book of Harlan by Bernice McFadden is a quick and powerful read.”
Jeff Warmouth nominates John Barth's The Sot-Weed Factor.
Jeff Warmouth nominates John Barth's The Sot-Weed Factor.
Andrew DaSilva highlights, “The Thorn Birds, as it’s not historical in the conventional sense but it
takes place over like 50 plus years from the turn of the century to the 1970’s
covering the life and times of this one family. In the background is the
history and its effects on the family, whether something obvious like the 1st
and 2nd world wars or something more subtle like the advent of the radio or
screens on the windows to keep bugs out. And of course there’s the Stephen King
novel 11/22/63
which too was a good read but tends to lean more on the sci-fi rather on the
history aspect despite the whole novel taking place around one particular
historical event.”
Ilene
Railton shares, “The
Right Hand Shore by Christopher Tilghman.”
Shelley Girdner Tweets, “Jane Smiley's recent
trilogy (Some Luck, Early Warning, Golden Age) is a different approach: every chapter = a year. Loved
the 1st book especially. But also like Dillard's The Living; & it's out of style,
but I still think Michener's Centennial is remarkable.”
Erin O’Brien highights alternative
historical novels such as Ben Winters’ Underground Airlines and Philip
Roth’s The Plot Against America, as well as
Erik Larson’s The Devil in the White City.
Brad Congdon nominates Tim
O’Brien’s The Things They Carried, “for
foregrounding the fiction in historical fiction.”
Karen Shepard (author of a
pretty great historical novel herself) highlights, “The Known World; almost anything by Jim Shepard; Silk; The Question of Hu.”
Sarah Robbins Tweets, “News
of the World is a great read. I plan to teach it in spring 2018.”
Matthew
Teutsch adds a bunch via Twitter: Lydia Maria Child’s Hobomok,
Catharine Maria Sedgwick’s Hope Leslie,
Ernest Gaines’s Autobiography of Miss
Jane Pittman, Frank Yerby’s The
Dahomean, Arna Bontemps’ Black
Thunder, Edward P. Jones’s The Know
World, Toni Morrison’s A Mercy,
and Paul Laurence Dunbar’s The Fanatics.
Lou Freshwater agrees on
Sedgwick’s novel, Tweeting, “Hope Leslie should be so much more well
known.”
And Kari Miller comments, “I would love
to teach a class on historical fiction! I am currently at work on a project
exploring American literature on Pilgrims and Puritans. So far, I've found
about 80+ novels, mostly from the nineteenth century, that have impacted the
ways that most Americans think of Pilgrims and Puritans. I think it's
especially important to see these works almost as conversations among the
authors. Harriet Vaughan Cheney's 1824 A Peep at the Pilgrims should be
discussed in conjunction with Hope Leslie
and Hobomok; in fact, Sedgwick refers
to the novel in Hope Leslie. And
James Fenimore Cooper's The Wept of Wish-Ton-Wish (1829) is, in many ways, a response
to all three of these novels. As I'm working on this project, I'm discovering
more intertextuality than I expected.” She adds on Twitter, “Jane Goodwin
Austin's novel Standish of Standish (1889) is the
origin of the ‘first’ Thanksgiving story. She has Pilgrims inviting Wampanoag.”
Next series
starts Monday,
Ben
PS. Any other
historical fictions or authors you’d highlight?
I don't see Johnny Tremain listed--https://en.wikipedia.org/wiki/Johnny_Tremain. And of course Cooper and Hawthorne. (Tyler Cowen just did an appreciation of the Deerslayer.http://marginalrevolution.com/marginalrevolution/2017/07/the-deerslayer.html)
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