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Tuesday, October 4, 2016

October 4, 2016: AmericanStudying The Americans: Spies like Us



[Earlier this year, I belatedly but excitedly got into The Americans, the FX drama about two KGB agents (the great Keri Russell and Matthew Rhys) living in deep cover as a married couple in Reagan’s 1980s America. It’s a wonderful and very AmericanStudies show, so this week I’ll AmericanStudy five issues and themes to which the show connects. Leading up to my latest Guest Post on another set of pop culture texts and questions!]
On what we don’t know about two high-profile spying controversies—and why it doesn’t matter.
While the protagonists of The Americans were born in Russia, many of the Soviet spies with whom they work in the course of the show are native-born Americans who have been “turned” and are now spying on behalf of the USSR. 20th century history offers a number of prominent examples of such spies, but in most cases the evidence remains murky at best, and thus produces more questions than answers about these cases and what we make of them. Few examples better illustrate the stakes of such historical interpretations and analyses than the cases of Alger Hiss and Julius and Ethel Rosenberg. At one extreme—but, to be clear, an extreme that could be argued within the bounds of serious historical inquiry—each case could be seen as at least a partial vindication of McCarthyism, as evidence that communist spies and sympathizers were indeed operating within the U.S. government and society. At the other, equally arguable extreme, these three Americans embody the worst of that era, and particularly its persecution and destruction of innocent lives in service of paranoia, fear, and the creation at all costs of the “us vs. them” mentality about which I wrote in Monday’s post.
Perhaps in time sufficient evidence will be unearthed or released that historians will be able to come to more conclusive perspectives on one or both of these prominent cases—although so far key details have not only remained secret but also have been legally reinforced in that state. To date, at least as far as this AmericanStudier understands it (and as I analyzed from a different angle in this post), the available evidence seems to implicate Julius Rosenberg as a Soviet spy, to cast serious doubt on the guilt of his wife Ethel, and to remain entirely inconclusive when it comes to Alger Hiss. Yet while the guilt and innocence of these individuals are no small matters—not least because the Rosenbergs were executed for their alleged crimes, while Hiss lived the remaining forty-five years of his life under the cloud of suspicion as well—it’s also possible, and important, to analyze the cases in other contexts regardless of such ambiguities, to consider what these histories and lives can reveal even if their deepest secrets might never see the light of day.
To my mind, one clear and important way to consider all three accused spies is to recognize the range of American identities and experiences to which they connect: Julius for example as the son of Jewish immigrants who settled in New York’s East Side neighborhoods; Ethel for another example as a New York New Woman who initially pursued a career as an actress and singer before moving into those iconic mid-20th century roles of wife, mother, and homemaker; Hiss for a third example as the product of a declining Maryland family, surrounded by tragedies including his father’s and sister’s suicides, who worked his way to Harvard and a prestigious career in law and politics. Which is to say, whether they spied or not, whether they were traitors or victims, these are American stories and histories and identities, lives and worlds no less (and no more) a part of our national narratives than those of Joseph McCarthy, Richard Nixon, J. Edgar Hoover, and their other accusers and adversaries—or, The Americans would argue and I would agree, than the American stories of spies like Elizabeth and Philip Jennings. Whatever the truth, the simple fact is that there’s no us vs. them—it’s all us.
Next AmericansStudying tomorrow,
Ben
PS. What do you think? Other AmericanStudies shows you’d highlight?

Monday, October 3, 2016

October 3, 2016: AmericanStudying The Americans: “Illegals”



[Earlier this year, I belatedly but excitedly got into The Americans, the FX drama about two KGB agents (the great Keri Russell and Matthew Rhys) living in deep cover as a married couple in Reagan’s 1980s America. It’s a wonderful and very AmericanStudies show, so this week I’ll AmericanStudy five issues and themes to which the show connects. Leading up to my latest Guest Post on another set of pop culture texts and questions!]
On what’s deeply compelling, and what’s accidentally troubling, about the show’s central premise.
When I first heard about the concept behind The Americans—that the KGB had spies whom the US Department of Justice knew as “illegals,” people who came to the US from Russia when they were very young and stayed here for decades (ostensibly the rest of their lives), working, raising families, and living in every way as part of American society while still spying for the USSR—I was sure it was invented by the show’s creator Joe Weisberg. But nothing could be further from the truth. Weisberg is a former CIA case officer who used his knowledge of very real such spy programs—about which a great deal has been declassified and revealed in the last couple decades, and indeed some of which have continued after the fall of the Soviet Union and were only discovered and stopped by the FBI in the last few years—to craft his fictional version. The Americans is historical fiction in the deepest sense, the kind that adheres quite closely to known historical realities and details while of course developing entirely fictional characters within that frame and world.
And what an evocative topic for historical fiction the “illegals” program is. Not just because it explodes the easy “us vs. them,” “evil empire” narratives (that famous 1983 Reagan speech is featured in a powerful moment during the show’s Season 3; SPOILERS in that video review) of the US and the USSR, focusing on people whose experiences inextricably and genuinely linked them to both nations while still locating them very fully within the Cold War between the two countries—although that’s a very powerful and still meaningful effect to be sure. But also because as the show’s primary such “illegals,” Russell’s and Rhys’s characters (Elizabeth and Philip Jennings) deal with questions of identity and community, work and family, culture and citizenship, allegiance and responsibility, that resonate deeply with a number of historical and cultural issues, from the immigrant experience to stereotypes and realities of American society to women in the workforce to contrasting parenting styles (among many others). The show is never not a spy thriller and a very effective one, but it’s also a great deal more, and that’s due in large part to this very unique historical identity and role and all that it opens up.
Yet as an AmericanStudier, and one more and more concerned with public scholarly connections to our contemporary moment and society, I have to admit that every time I hear the show’s FBI agents—led by the great Noah Emmerich as Stan Beeman—refer to their hunt for “illegals,” I cringe. I fully believe that the term is historically accurate, but of course the show is being created in the 21st century, and in our current moment there’s another American community to whom we collectively refer far too often with the term “illegals” (turning an adjective referring to laws into a highly prejudicial noun). I don’t believe that Weisberg and company intended this echo, and I’m not necessarily suggesting that they should abandon historical accuracy because of an accidental problem with language. But it’s worth noting that historical fiction is never simply about the history being depicted, but rather also a product and reflection of the moment and world of its creation, not least because it’s in that momen and world that audiences will engage with and be affected by the works. Just one more complex idea with which The Americans helps us grapple.
Next AmericansStudying tomorrow,
Ben
PS. What do you think? Other AmericanStudies shows you’d highlight?

Saturday, October 1, 2016

October 1-2, 2016: September 2016 Recap



[A Recap of the month that was in AmericanStudying.]
September 5: The Radical Origins of Labor Day: A Labor Day series kicks off with a link to my Talking Points Memo piece on the holiday’s forgotten origins.
September 6: Cultural Work: Melville’s “Paradise” and the Lowell Offering: The series continues with two distinct but complementary ways to give literary voice to working women.
September 7: Cultural Work: Elizabeth Stuart Phelps’ “Tenth of January”: The short story that combines local color and sentimental fiction and builds to so much more, as the series rolls on.
September 8: Cultural Work: John Sayles’ Matewan: When subtlety isn’t necessary in portraying oppression and activism—but why it still helps.
September 9: Cultural Work: Miner Texts: The series concludes with three different types of cultural representations of mining communities.
September 10-11: Labor Day Links: A special weekend post highlighting a handful of scholarly pieces to keep the Labor Day studying going.
September 12: MusicalStudying: The Black Crook: A series inspired by the Crook’s 150th anniversary starts with the histories and legacies of that first stage musical.
September 13: MusicalStudying: Rodgers and Hammerstein and History: The series continues with historical stereotypes and revisions in three of the duo’s most famous musicals.
September 14: MusicalStudying: West Side Story: The musical’s surprising history, and its limits and strengths as a cultural text, as the series rolls on.
September 15: MusicalStudying: Angels in America and Rent: The play and musical that together helped change our national conversations on AIDS.
September 16: MusicalStudying: Allegiance and Hamilton: The series concludes with what links and differentiates two important recent musicals.
September 17-18: Crowd-sourced MusicalStudying: My latest crowd-sourced post, featuring the analyses of fellow MusicalStudiers—add yours in comments!
September 19: Rhode Island Histories: Roger Williams: A Little Rhody series starts with two inspiring layers and one frustrating one to the colony’s founder.
September 20: Rhode Island Histories: Beavertail Lighthouse: The series continues with three telling moments in the history of America’s third oldest lighthouse.
September 21: Rhode Island Histories: The Name: Two debates over the state’s name, and why we should better remember it in any case, as the series rolls on.
September 22: Rhode Island Histories: Political Corruption: Three figures who embody the small state’s outsized history of political corruption.
September 23: Rhode Island Histories: Providence Sites: A few beautiful and compelling cultural and historic sites from the state’s capitol.
September 24-25: Rhode Island Colleagues: The series concludes with five wonderful Rhode Island scholars I’m proud to call AmericanStudying colleagues!
September 26: Legends of the Fall: Young Adult Lit: An autumn series on falls from innocence starts with two iconic YA novels that fractured their characters’ and my innocence.     
September 27: Legends of the Fall: American Pastoral: The series continues with the louder and quieter moments of fallen innocence in the recent classic novel.
September 28: Legends of the Fall: The Body and Stand By Me: Cynical and nostalgic narratives of childhood innocence lost, as the series rolls on.
September 29: Legends of the Fall: Presumed Innocent: Scott Turow’s novel and the multiple layers of fallen innocence built into the best mystery stories.
September 30: Legends of the Fall: American Pie: The series concludes with the straightforward and more subtle sides to a beloved ballad about lost innocence.
Next series starts Monday,
Ben
PS. Topics you’d like to see covered in this space? Guest Posts you’d like to contribute? Lemme know!