On an American voice I’m very thankful we have the opportunity to hear.
To my mind, one of the most
fundamental American voices that has been unfortunately lost, or at least
severely limited, in our public conversations over the last couple of decades
is that of the progressive and socially critical preacher. Some of the most
significant religious voices and perspectives in American life, from John
Woolman and Jonathan
Edwards all the way up to Dorothy
Day and Martin
Luther King Jr., have used their deep spirituality and knowledge of
scripture to, as the saying goes, comfort the afflicted and afflict the
comfortable, to challenge the status quo and advance their own visions of the
socially radical ideas that are at the heart of the New Testament and Christ’s
teachings. It can be difficult, in this era of megachurches on the one hand
(with their seeming perfection of televangelist practices and goals) and
fundamentalist opposition to gay marriage on the other (with its cooption of
Christian beliefs for deeply intolerant ends), to remember in fact just how
radical and counter-culture religious voices in America have often been.
No American preacher fits that
description better than William Apess.
Born to mixed-race parents and into extreme poverty in the last years of the 18th
century, Apess’s bio reads like a hyperbolic mashup of Early Republic and
Native American issues: he lived (as he narrates it, at least) in the woods
near Colrain, Massachusetts until he was five; the next decade or so spent as
an indentured servant to various families in the area; enlisting in a New York
militia at the age of 16 and fighting in the War of 1812; battling alcoholism
throughout that time, and eventually finding hope in both marriage and his
baptism and later ordination as an itinerant Methodist preacher during the
period that came to be known as the Second Great Awakening; publishing both his
own autobiography, A Son of the Forest (1829, the first
published autobiography by a Native author) and the conversion narratives of
“Five Christian Indians of the Pequot Tribe” (1833); helping instigate and lead
the peaceful Native American protest known as the Mashpee
Revolt (1833), against state and national land and governance policies;
becoming increasingly radical and cynical, culminating in his controversial
speech and pamphlet Eulogy on King Philip (1836); and
descending after that point into a brief final period of obscurity, alcoholism,
and poverty, ending with his 1841 death in New York City. Each of those stages
and experiences can open up its own complex window into, again, a whole range
of local, ethnic, and national issues and identities in the period, making
Apess one of the most rich subjects of study of all those American voices
rediscovered in the last couple decades of scholarly work.
But if I had to boil that hugely
full and complex life and work down to one text, it would have to be the
pseudo-sermon “An
Indian’s Looking-Glass for the White Man,” a work that Apess appended,
almost as an afterthought, to the “Five Christian Indians” collection. The
piece’s first sentence alone is I believe sufficient to introduce its striking
combination of orality (Apess could and usually did write perfectly grammatical
sentences, but doesn’t feel the need to do so consistently in this piece, and
all I can say is that it works), strident and impassioned tone, and deeply
radical and leveling religious themes: “Having a desire to place a few things
before my fellow creatures who are travelling with me to the grave, and to that
God who is the maker and preserver both of the white man and the Indian, whose
abilities are the same, and who are to be judged by one God, who will show no
favor to outward appearances, but will judge righteousness.” Damn straight.
Later, Apess hits upon maybe the single most convincing religious rebuttal to
racial prejudice ever constructed: “If black or red skins, or any other skin of
color is disgraceful to God, it appears that he has disgraced himself a great
deal—for he has made fifteen colored people to one white, and placed them here
upon this earth.” Say Amen, somebody, as my personal favorite radical
revivalist preacher, Bruce
Springsteen, has been known to put it.
What Apess does
in those moments, and throughout this amazing, provocative, and powerful piece,
is exactly what his title promises, and what all of these radical preachers
have done so successfully in their own ways: holding a mirror up to the most
hypocritical and horrific American attitudes and realities, comparing those
attitudes and realities to the spiritual values that so many Americans have
professed, and demanding of their audiences that they begin to take
responsibility for what they see and what they say and what they do. We could
use a few more such voices, I believe, and should be very thankful for the ones
we’ve got.
Next
autobiographer tomorrow,
Ben
PS.
What do you think? Other life writings you’d highlight for the weekend post?
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