On three
particularly American characters from my
favorite show.
There were so
many great characters on The Wire
that Bill
Simmons famously created a March Madness-style bracket through which to
determine the greatest (caution, SPOILERS abound). I love just about every one
of them, but here want to focus on three whom I’d call especially relevant to
AmericanStudying (as the
whole show certainly is).
I’ll stay away from spoilers of my own, I promise.
1)
Bubbles: A show that
focused on (or at least began with) the drug trade needed at least one central
character who was an addict, and across all five seasons that character was Andre Royo’s Bubbles. I
don’t know of any character, in any medium, that has put a more nuanced,
evolving, human face
on drug addiction than Bubbles, and that in and of itself would qualify him for
his list. But Bubbles’ character arc was also defined by some of the most
fundamental American tensions: between salvation
and backsliding, hope and despair, self-made
success and the need for community.
2)
Bunny Colvin: Again,
despite the numerous themes and issues to which David Simon and company
connected their show, drugs
and “the drug war” were at the heart of it. As the speech linked at his
name indicates, season 3 protagonist Major Bunny Colvin (Robert Wisdom) embodied
Simon’s perspective on that misguided and destructive war as well as any part
of the show. But Bunny’s arc continued into season 4, and as it did it revealed
a man trying to do anything he could to respond to some of his city’s and era’s
worst crises: not just drugs and crime, but education, the loss of a
generation (or more) of youth, and more. He didn’t entirely succeed (we’re
talking The Wire here), but he
certainly gave it everything he had, and there were victories to be sure.
3)
Omar: I’ve written
before, on
multiple occasions, about our persistent national embrace of righteous
vigilantes, of those who take the law into their own hands for what seem to
be the best of reasons. I’m certainly not immune to that perspective, as
illustrated by my love for Omar,
the charismatic gay stick-up man with a code who was probably the show’s most beloved character.
Sure, Omar robbed people for a living, and killed on more than one occasion as
well. But I defy anyone to watch the show and not root for him at least a bit—which
says something about the character and Michael K. Williams’
performance to be sure, but says a good deal about those persistent
narratives of outlaw heroism as well.
Next
AmericanStudier love tomorrow,
Ben
PS. What do you
love about or in American history, culture, identity, community?
Never seen The Wire but I couldn't resist the offer to mention a television that I love. BBC's Sherlock is witty fun and brilliantly written. The co-create Steve Moffit is a veteran of the latest Dr. Who iteration which most of my students love, and I admit I love it too! The show is a nod to the original 19th cent stories with an interesting and fresh 21st cent feel. It's wonderfully Anglo-centric and best of all Benedict Cumberpatch is yet another Sherlock that most fans would line the streets to kiss!
ReplyDeleteThanks for sharing the love! I haven't seen that iteration of Sherlock, and I don't know if any TV Holmes will ever top Jeremy Brett for me; but I should give it a shot for sure.
ReplyDeleteAh, Jeremy Brett, good times. I'm nerdy enough to have listened Basil Rathbone on the radio... well itunes.
DeleteMuch like every other fan, I've always loved Omar's cowboy-esque attitude. In addition, though, Bodie's arc has ultimately been my favorite. His character's growth is brilliant, every internal strength advances him down a path that could only seem to induce harm.
ReplyDeleteTotally agree, Joe. That I could mourn the loss of a character who [redacted for spoilers] in Season 1 is amazing development.
ReplyDeleteThough Bodie is my #1, I'll also mention Stringer, whose Idris charm is redefined here as coldness, heartlessness. A true villain, but one we understood nearly comprehensively
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