[This week marks the conclusion of another Fall semester, my 21st at Fitchburg State. Since we’re all going through it at the moment, I thought I’d share one significant challenge I faced in each class this semester, and a bit about how I tried to respond. Leading up to a special weekend post on my younger son’s first semester!]
For many
years now, I’ve featured in semester
preview and reflection
series the question of whether I should substitute shorter texts for longer
ones in my literature courses. There have been a number of factors pushing me
toward that question, as those hyperlinked prior posts reflect; but certainly
one has been my desire to minimize (and ideally eliminate entirely) the number
of texts that students have to find their own copies of (ie, purchase, although
there are always potentially copies at libraries), rather than that are available
online in full. Of course there are plenty of longer readings available in that
latter way, but they have to be out of copyright, meaning that any text
published after 1930 (as of right now) is not likely to be available online in
full yet.
For the first
two-thirds of my American Lit II syllabus, that’s not an issue, as all of our
readings (including the longer ones) are available online in full. But in the
final Unit, in which we read texts from the late 20th and early 21st
centuries, it is one—and the two longer readings in that Unit happen to be two
of my favorite American novels, both overall and specifically to teach: Leslie
Marmon Silko’s Ceremony (1977) and Jhumpa
Lahiri’s The Namesake (2003). So when I was planning this semester’s
section of American Lit II, I really debated whether to keep those two texts on
the syllabus or to replace them with shorter readings by the same authors that
are available online (such as Lahiri’s wonderful short story “The
Third and Final Continent” [1999] in place of her novel, for example).
I ended up
keeping the two novels on the syllabus, and made sure to have copies of both on
reserve at the FSU library (e-reserve as well as hard copy for Silko, which was
available in both ways; hard copy for Lahiri, which was not) so students had at
least one guaranteed way to take a look at them without finding their own
copies. But I also offered a compromise that I’m still not sure about but that did
seem to help a bit—highlighting opening sections in each text that, if students
were able to look at, would allow us to have meaningful conversations even if
most folks were not able to read beyond those sections (which, indeed, most
were not). Since I’m not requiring students to purchase any text, I don’t feel
badly from that standpoint about not asking them to necessarily read the whole
of a text; but since I especially love where those novels go in their latter
sections, I most definitely did miss the chance to fully teach these books.
This challenge remains a work in progress, and since I’ll have an American Lit
II section next Fall it’s one I’ll be returning to to be sure.
Next
reflections tomorrow,
Ben
PS. What
do you think?
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