[It’s been a
while since I spent
a week highlighting the amazing work done by my fellow
AmericanStudies scholars. So for this week’s series I thought I’d highlight
five recent books by scholars with whom I’ve had the pleasure of working on the NEASA Council.
I’d love to hear in comments about books and scholars, recent or otherwise,
that have inspired you!]
On the biography
that exemplifies, and also transcends, that genre.
I’ve written
twice previously in this space about Marion “Clover” Hooper Adams—once in the
context of her
husband Henry, who partly modeled his fictional
heroine Esther on his wife; and once in a post on sculptor
Augustus Saint-Gaudens, whose moving Washington,
DC sculpture “Grief” was created as a tribute to Clover after her 1885
suicide. But Clover’s brief, tragic, complex, and rich life is more than
deserving of its own post and a lot more, as illustrated by Natalie
Dykstra’s thorough, groundbreaking, and compulsively readable biography Clover Adams: A Gilded and
Heartbreaking Life (Houghton Mifflin Harcourt, 2012).
Dykstra’s book
does everything that you’d want a historical biography to do. She delineates
the specific elements of Clover’s identity very effectively, helping readers to
feel that they truly know this complex woman (as well as we can know anyone who
died 130 years ago, at least); but she also locates Clover within the social,
historical, and cultural contexts of late 19th century America very
successfully, making clear how much her place, time, and world influenced those
individual elements. She doesn’t shy away at all from uncertain and controversial
topics, including not only Clover’s suicide but also her inspiring yet troubled
marriage to Henry; yet the biography never strays into gossip territory, remaining
serious and scholarly despite Dykstra’s engaging and accessible attention to
such intriguing and universal topics.
So a great and
highly recommended historical biography—but Clover
Adams is also something more. Through her extended and groundbreaking
attention to and close readings of Clover’s photographs—Clover
spent a good deal of her final years of experimenting with the new technology
and art form—Dykstra becomes an analytical detective, developing convincing
takes on Clover’s perspective, life, and experiences as a result. Many
biographies rely on primary and archival sources, of course—but Dykstra’s work
with the photos involves more than just recovering or engaging with such
sources. She weds the skills of close reading and aesthetic analysis to her
biographical project, enriching both that project and our collective
understanding of Clover as a result. Want to see what new ideas those
photographic analyses produced? Read the book!
Next NEASA book
tomorrow,
Ben
PS. Books or scholars you'd share? I'd love to hear about them!
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