[To celebrate
another 4th of July, a series on different cultural contexts for
this very American holiday. Leading up to a special weekend post on critical
patriotism!]
On the history,
symbolism, and limitations of an American tradition.
As detailed in this
Slate article, the intersection
of fireworks and the 4th of July literally goes back to the first,
1777 celebrations of the holiday (the first because in 1776 July 4th
was the date of the Declaration’s actual dissemination and readings, rather
than a holiday commemorating that occasion). I wrote more about the John Adams
letter referenced in that article in this prior July
4th special post, so here I’ll keep this paragraph short and say
that you should certainly check out that Slate
piece by senior editor Forrest Wickman
for a clear, concise depiction of the longstanding histories (both American and
international) of fireworks.
While fireworks
might have been present from those earliest Independence Day celebrations on,
however, I would argue that their July 4th symbolism really took
hold after the War of 1812, and more exactly after Francis Scott Key wrote “The Star-Spangled
Banner” in the aftermath of the side of Fort McHenry during that conflict. After
all, the central image of our national anthem is a contrasting visual one, of
seeing the flag through the darkness—eventually “by the dawn’s early light,”
but even more importantly by the glow of “the bombs bursting in air” that “gave
proof through the night.” It’s a compelling and powerful image, the idea of a
light in the darkness that allows us to keep an eye on our national ideals. And
whether fireworks actually create a flag of fiery lights (as they often do for the 4th)
or simply burst in the night sky for our collective vision and inspiration,
they capture this defining national image in a visceral and affecting way.
Visceral and
affecting as fireworks might be, however, what they are not is
thought-provoking; indeed, as with many spectacular entertainments, they
require us not to think at all in order to get the most pleasure from their
spectacle. To be clear, as a fan of Star Wars and the James
Bond films, among many other spectacles, I don’t have any problem with such
entertainments being part of our culture and society. But as a commemoration of
our nation’s independence day, such a spectacle does seem to represent another
example of what I’ve elsewhere described as the
easy form of patriotism, the kind that asks nothing more of us than our
awed appreciation. So while such awe can and perhaps should be a part of our
July 4th celebrations, I’d love if there were space as well for more
reflective engagement with our history and community. Am I arguing for
Frederick Douglass-shaped fireworks? Maybe not—but I could definitely get
behind a brief reading from “What to the Slave is the Fourth of July?” before
every July 4th fireworks ceremony. Give it a couple years and it’d
be just as much a part of the tradition as those fiery bombs bursting in air.
Next 4th
focus tomorrow,
Ben
PS. What do you
think? Contexts or connections for the 4th you’d highlight?
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