[As part of this
summer’s
beach reading, I had the chance to revisit and engage more deeply with Dennis
Lehane’s The Given Day (2008),
one of the most compelling and effective recent historical novels. This
crowd-sourced post is drawn from the historical fiction recommendations and
responses of fellow AmericanStudiers—share yours in comments, please!]
First, an
addendum to the series: after I had written it I learned of a wonderful new
collection of American historical fictions, Dr. John Keene’s book Counternarratives (2015). Check it out!
Also, my FSU
American Studies colleague Kate Jewell’s first
post for the Teaching American History blog makes a great argument for
using novels and other literary works in the history classroom (and wants your
input!).
On Facebook, Kisha
Tracy notes that “Rafael Sabatini
and Baroness
Orczy have always been my historical fiction guilty pleasures.” She adds, “Samuel Shellabarger and Kenneth Roberts too.”
Jennifer
Berg admits that, “I also feel cheesy about this, but I really like Michener [Ben’s note: Me
too!],” and adds that she “just read The Source this summer and loved
it.” She is “now reading the
Asia saga by James
Clavell.” And she adds, “I also read some Isabel Allende (Inés of My Soul and Island Beneath the Sea) this
summer.”
Donna
Moody continues the guilty pleasure thread, agreeing with the Michener
recommendation and adding, “I guess this 'outs' my
standards for what I term my 'mindless' reading but I really love Steve Berry's
books...John refers to them as 'pot-boilers' which I guess they are but he does
some pretty extensive historical research into each topic and setting.”
Heather
Cox Richardson continues the Michener love,
asking, “Is this where I confess I was mesmerized by Centennial when I was a teenager?”
Larry
Rosenwald writes, “Not sure exactly what counts
here, but some of the pleasures I associate with historical fiction (I tend to
read earlier historical fiction, Scott and Cooper and John Buchan and such) are
also to be had from, say, Benito Cereno and Israel Potter (which I love, actually), and from A Connecticut Yankee in King Arthur's Court—and isn't most of Hawthorne arguably historical fiction?”
[To which I said: Yup yup and yup!]
Ian James goes
with the Temeraire series by
Naomi Novik.
Summer Lopez
writes, “Really love Hilary Mantel. The
Wolf Hall stuff, but also A Place of Greater Safety, about the
French Revolution, is amazing.”
Heather Urbanski shares, “I loved Summer of My German Soldier by Bette Greene (and the sequel, Morning is a Long Time Coming) when I was in junior high and high school. I still have
my beat up copies in my bedroom shelf.”
Jeff
Renye replies, “Vasily Grossman is always
a real uplifter,” and adds Michael
Shaara’s The Killer Angels.
Meg
Koslowski nominates Junot Díaz’s The
Brief Wondrous Life of Oscar Wao.
Robert Tally notes, “I’m just starting Measuring the World, a recent German
novel about Alexander van
Humboldt, and it’s terrific so far.”
While Karen
Valeri is currently reading the genre-busting Devil in the White City by Erik
Larson.
On Twitter, Theresa Kaminski highlights Katharine Weber’s novel Triangle (2006), “as much about the fire as about doing history.”
Schuyler Chapman shares
Washington Irving’s “Philip of
Pokanoket: An Indian Memoir” (1819), “which seems to really struggle with
history-fiction distinction.”
Next series
starts Monday,
Ben
PS. Other
historical fictions you’d highlight?
On Twitter, Josh Paddison adds Cormac McCarthy's *Blood Meridian* to the list!
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