On the historical novel that
manages to bridge the gap.
As I mentioned in this
book talk post, I had the chance to share a stage at the Museum of the Chinese in America last
September with Karen Shepard, author of
the wonderful historical novel The
Celestials (2013). Shepard’s novel is one of the first to deal at
length with 19th century Chinese American histories and experiences,
and is even more unique in dealing with them in a New England/East Coast
(rather than a California/West Coast) setting; as such it is important and well
worth your time (on the beach or anywhere else) for its historical subject
matter alone. But the book is also entirely engaging and successful as a work
of fiction, and I would argue that it is particularly successful at combining
two usually distinct sub-genres about which I
have written previously: historical fiction and period fiction.
I defined my version of those sub-genres
at length in that linked post, and here will simply reiterate the most salient
difference: historical fiction is fundamentally interested in the historical
events and themes themselves, and creates characters and stories in
relationship to them; whereas period fiction is more interested in creating
characters and stories that embody universal human relationships, emotions, and
experiences, set in this case against a historical backdrop. Despite my obvious
preference for the former, I would emphasize that each sub-genre has value and
potential power, and also that each is difficult to pull off successfully (if
for different reasons). More difficult still is the task of cominbing the two
sub-genres, of creating a historical novel that achieves both effects: engaging
in depth with complex, specific historical themes while creating characters and
stories that feel as if they could exist in our own era and communities.
Difficult but not impossible—and
in this AmericanStudier’s opinion, Karen Shepard has pulled off that
combinatory feat in The Celestials.
She noted in her MOCA talk that one of the characters with whom she had to take
the most authorial liberties is her female protagonist, Julia Sampson; Sampson,
wife of the Massachusetts factory owner who imported the group of Chinese
immigrant laborers to serve as strike breakers, is the subject of very little
historical information. Yet if Shepard’s Julia is heavily fictionalized, and
certainly feels very accessible for a 21st century reader, I would
at the same time argue that she is deeply connected to her own mid-19th
century world; in her individual identity and perspective, and even more in her
evolving relationship with one of the Chinese American arrivals, she helps us
connect to the novel’s 1870 world deeply and engagingly. But don’t take my word
for it—take The Celestials to the
beach and find out for yourself!
Next beach read tomorrow,
Ben
PS.
What would you recommend for a good beach read? What are you hoping to get to
by the pool this summer?
Jillian Flynn's triology: Gone Girl (read it soon before it becomes a film directed by David Fincher and starring Batfleck!... in truth, that film is going to rock!); Sharp Objects; Dark Places! All are awesome and read very quickly. Also you will be the official badass at the pool or beach. yeah, they are murder mysteries, but they are awesome, each has a nice and highly unpredictable twist at the end and characters that say 'go ahead, sum me up to your friends, I double dare you!'
ReplyDeleteThen for the inner-geek who wants to get old school and show off to those GOT HBO fans... Wheel of Time. Both are completely nookable books, but you know these are covers you wanna show off. A good book is better than a string bikini, let's be honest.
Thanks, AnneMarie! I haven't read Flynn yet, but certainly should. As for Jordan's series, I have to admit that I stopped around book 12 and have never finished, but I owe it to my younger self to read through that Sanderson trilogy and complete the series.
ReplyDeleteBen