[For this year’s
MLK
Day series, I’ll be AmericanStudying African American lives in texts. I’d
love to hear your responses, as well as other lives and texts you’d highlight,
for a crowd-sourced weekend post!]
On a trio of
recent works that exemplify 21st century African American life
writing.
1)
Between
the World and Me (2015): I’ve written
a good bit already about Ta-Nehisi
Coates in this space (and other
spaces), and would certainly argue that his talents and significance extend
well beyond any individual book. Moreover, Between
isn’t nearly as straightforward a memoir as Coates’s first book, the story of
his childhood and father The
Beautiful Struggle (2008). That book is certainly worth your time as
well, but I’m not sure there’s a better work of 21st century
non-fiction than Between—and it is certainly
life writing, if it also puts that life in conversation with another life (that
of Coates’s teenage son, to whom it is written) and just about every imaginable
context and frame. Seriously, if you haven’t read this book yet, do so!
2)
Negroland
(2015): Published in the same year as Coates’s book, New School Professor Margo
Jefferson’s Negroland is a much
more traditional memoir, the story of her upbringing among the African American
upper middle class in the 1950s and 60s. But like all of the best life writing,
Jefferson’s book draws us into a very specific world, in this case one that has
been largely absent from American narratives and collective memories. Jefferson
is celebratory and critical of that elite African American community in equal
measure, and most of all uses it, as all great memoirists do, to tell a story
that is at once intensely personal and profoundly representative of American
issues and histories.
3)
2014
Forest Hills Drive (2014): Putting a rap album on a list of life
writing works might seem like an intentionally provocative or contrarian move,
but I don’t mean it as such; albums aren’t the same as books, but it’s certainly
possible to tell a life story through music, and that’s exactly what J. Cole
does in his magisterial 2014 album. As I argued in that hyperlinked post, I’d
call Cole’s album a magnus opus for the #BlackLivesMatter
movement and movement, one of the first artistic texts in this 2010s era to both
represent an individual life within that frame and to grapple with the social
and cultural contexts around such a life. It’s quite simply one of the great
and vital 21st century African American and American autobiographies.
Crowd-sourced
post this weekend,
Ben
PS. So one more time:
what do you think? Other African American lives and/or texts you’d highlight?
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