On an American voice I’m very thankful we have the opportunity to hear.
To my mind, one of the most
fundamental American voices that has been unfortunately lost, or at least
severely limited, in our public conversations over the last couple of decades
is that of the progressive and socially critical preacher. Some of the most
significant religious voices and perspectives in American life, from John
Woolman and Jonathan
Edwards all the way up to Dorothy
Day and Martin
Luther King Jr., have used their deep spirituality and knowledge of
scripture to, as the saying goes, comfort the afflicted and afflict the
comfortable, to challenge the status quo and advance their own visions of the socially
radical ideas that are at the heart of the New Testament and Christ’s teachings.
It can be difficult, in this era of megachurches on the one hand (with their
seeming perfection of televangelist practices and goals) and fundamentalist
opposition to gay marriage on the other (with its cooption of Christian beliefs
for deeply intolerant ends), to remember in fact just how radical and
counter-culture religious voices in America have often been.
No American preacher fits that
description better than William Apess.
Born to mixed-race parents and into extreme poverty in the last years of the 18th
century, Apess’s bio reads like a hyperbolic mashup of Early Republic and
Native American issues: he lived (as he narrates it, at least) in the woods
near Colrain, Massachusetts until he was five; the next decade or so spent as
an indentured servant to various families in the area; enlisting in a New York
militia at the age of 16 and fighting in the War of 1812; battling alcoholism
throughout that time, and eventually finding hope in both marriage and his
baptism and later ordination as an itinerant Methodist preacher during the
period that came to be known as the Second Great Awakening; publishing both his
own autobiography, A Son of the Forest
(1829, the first published autobiography by a Native author) and the conversion
narratives of “Five Christian Indians of the Pequot Tribe” (1833); helping
instigate and lead the peaceful Native American protest known as the Mashpee
Revolt (1833), against state and national land and governance policies;
becoming increasingly radical and cynical, culminating in his controversial
speech and pamphlet Eulogy on King Philip
(1836); and descending after that point into a brief final period of obscurity,
alcoholism, and poverty, ending with his 1841 death in New York City. Each of
those stages and experiences can open up its own complex window into, again, a
whole range of local, ethnic, and national issues and identities in the period,
making Apess one of the most rich subjects of study of all those American
voices rediscovered in the last couple decades of scholarly work.
But if I had to boil that hugely
full and complex life and work down to one text, it would have to be the
pseudo-sermon “An
Indian’s Looking-Glass for the White Man,” a work that Apess appended,
almost as an afterthought, to the “Five Christian Indians” collection. The
piece’s first sentence alone is I believe sufficient to introduce its striking
combination of orality (Apess could and usually did write perfectly grammatical
sentences, but doesn’t feel the need to do so consistently in this piece, and
all I can say is that it works), strident and impassioned tone, and deeply
radical and leveling religious themes: “Having a desire to place a few things
before my fellow creatures who are travelling with me to the grave, and to that
God who is the maker and preserver both of the white man and the Indian, whose
abilities are the same, and who are to be judged by one God, who will show no
favor to outward appearances, but will judge righteousness.” Damn straight.
Later, Apess hits upon maybe the single most convincing religious rebuttal to
racial prejudice ever constructed: “If black or red skins, or any other skin of
color is disgraceful to God, it appears that he has disgraced himself a great
deal—for he has made fifteen colored people to one white, and placed them here
upon this earth.” Say Amen, somebody, as my personal favorite radical revivalist
preacher, Bruce Springsteen, has been known to put it.
What Apess does in those moments,
and throughout this amazing, provocative, and powerful piece, is exactly what
his title promises, and what all of these radical preachers have done so
successfully in their own ways: holding a mirror up to the most hypocritical
and horrific American attitudes and realities, comparing those attitudes and
realities to the spiritual values that so many Americans have professed, and
demanding of their audiences that they begin to take responsibility for what
they see and what they say and what they do. We could use a few more such
voices, I believe, and should be very thankful for the ones we’ve got. Thanksgiving
post tomorrow,
Ben
PS. What do you think? Moments, figures,
and/or texts you’re thankful for?
11/21 Memory Day nominees: A tie between Lewis Henry Morgan,
for his pioneering
anthropology but also for his legal
and political activism and his inspiring
friendship; and Isaac
Bashevis Singer, for his singular,
cross-cultural,
and profoundly
American stories.
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