[This past weekend I attended the one scholarly conference I never miss: the Northeast MLA. It was a great time as it always is, so as usual here’s a series of reflections on some of the great work I heard, saw, and shared there! Leading up to a few more reflections on NeMLA as an organization!]
On two
takeaways from the latest example of a wonderful communal endeavor.
Almost
exactly four years ago, I wrote a NeMLA
reflection post highlighting the first iteration of the organization’s then-newest
conference idea, NeMLA Reads Together (which that year featured Andre Dubus III
and his book Gone So Long). Before I
say a couple things about this year’s Read and author, I’d ask you to check out
that post if you would and then come on back.
Welcome
back! This year’s NeMLA Reads Together book was Land
of Love and Drowning (2014), the debut novel from our keynote
address speaker Tiphanie Yanique. Land
of Love and Drowning is a wonderful example of one of my very favorite
genres: a multigenerational
family novel, spanning decades
in the lives of (in this case) a family on St. Thomas in the U.S. Virgin
Islands. Many of the novels I’ve read in that genre could be described as
social realism, but while Yanique’s certainly includes those layers, it also
features more supernatural elements in a prominent and particularly powerful
role (putting in conversation with another great multigenerational Caribbean
American novel from a now frustratingly
fraught author, Junot Díaz’s The
Brief Wondrous Life of Oscar Wao [2008]). I’ll have to think more about how
I’d analyze those supernatural elements, and look forward to the chance to do
so while teaching Yanique’s novel at some point; but I know they added
something striking and meaningful to her work in this familiar literary genre.
The most important
benefit of the NeMLA Reads Together initiative is not just the chance to have and
read this shared text ahead of the conference, wonderful as that opportunity
is. It’s also and especially the opportunity to follow up that collective reading
by hearing from the author at the conference, in this special keynote address.
As illustrated by countless interviews like this
one on Land of Love and Drowning
with Noreen Tomassi of Brooklyn’s Center for Fiction, Yanique is a thoughtful
and compelling voice far beyond her fiction, one who can connect her formal,
stylistic, and genre choices to thematic questions of place and community,
culture and heritage, the history of the Virgin Islands and the Caribbean, spirituality,
and more. To hear directly from such a voice offers distinct yet complementary
pleasures and inspirations to reading their work, and I came away from Yanique’s
talk as moved and inspired as I’ve been from every NeMLA Reads Together author
and work alike.
Next
reflection tomorrow,
Ben
PS. If you
were at NeMLA, what would you share? If not or in any case, other organizations
you’d highlight?
No comments:
Post a Comment