[This week, I finally get to cross off one of the very top items on my bucket list—seeing Bruce Springsteen and the E Street Band in concert with my sons! In honor of that truly momentous occasion, I wanted to share a handful of the past posts where I’ve featured Bruce on the blog—leading up to a special weekend reflection on the concert!]
On two more
reasons I have come to love my long-time favorite song.
I’ve written on at
least two prior occasions in
this space, as well as at length in the opening of my second book, about
Bruce Springsteen’s “American Skin (41 Shots)” (2000; I still prefer that 2000 Live in New York City version to any
subsequent one, although this post-Trayvon Martin
performance from 2012 comes very close for sure). But I don’t think I’ve
ever mentioned in this space a very cool complement to my own love for the
song: my younger son’s early and continuing affection for it as well. Of course
that began with my playing it for the boys, but I’ve played plenty of songs for
them, and it was “American Skin” that really grabbed my son and has endured
across many years and many other shifts in musical taste. To hear him sing
along to my favorite lines—“We’re baptized in these waters/And in each other’s
blood”—has been one of those singularly moving moments that parenting can
offer.
So that’s one
way I’ve come to love Springsteen’s song even more fully. But another is the
reason I’m highlighting it today (NB. when I first shared this post in February
2018): this afternoon I’ll be giving Fitchburg
State University’s biannual Harrod Lecture, focusing on the topic of my
book in progress, We
the People: The 500-Year Battle over Who is American (2019). I’ve been
thinking about those themes pretty much nonstop for the last couple years, and
I’m not sure I’ve encountered a cultural work that more succinctly and
powerfully highlights both of them than does “American Skin.” Even the title
alone features both ends of the spectrum: Amadou
Diallo was killed because of the color of his skin and what it meant to
certain other Americans; but by calling it his “American skin,” Springsteen
reminds us that those racist and exclusionary attitudes do not and cannot deny
Diallo his full participation in an American community and identity. That we
still so desperately need to hear that message is just one more reason to keep
listening to “American Skin (41 Shots).”
Last Bruce
blogging tomorrow,
Ben
PS. What
do you think?
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