[To complement
last week’s series on pre-Revolutionary histories, this week I’ll AmericanStudy
some of the many compelling writers and voices from the nation’s exploration
and colonial eras. Leading up to a special Guest Post on a wonderful new
anthology of Native American writing!]
On the
autobiographer who traced his own wanderings, and so can help guide us on our
own.
Maybe this will change as I get
older and realize just how much kids today don’t get it and how much they could
use a wise older voice and perspective (not unlike my own, mayhaps) to show
them the light, but for now, I have to admit that many of the works of American
literature most overtly intended to inspire change, to convince an audience of
the benefits of following the author’s revolutionary philosophical ideas, leave
me pretty cold. From 19th century/American Renaissance classics like
Emerson’s “Nature”
(1836) and Thoreau’s Walden (1854) to Beat manifestos
like Ginsberg’s
“Howl” (1956) and Kerouac’s
On the Road (1957)—and each of
those four texts is far more complex than I’m giving them credit for here, but
all I believe are meant to leave the reader convinced that the author has, if
not all of the answers, at least some good starting points toward them—my
response has largely been the same: I see the power and brilliance, but I’m
ultimately more annoyed than impressed.
If I had to boil the reasons for
my annoyance down to one idea, it’d be that all those texts seem to have been
written with the answers already in mind, with the author already comfortable
in his philosophical position and hoping both to narrate how he got there and
convince us to do the same. That might seem to be a necessary condition for the
writing of any work, much less a philosophical or persuasive one, yet I think
it elides just how much any individual’s perspective and philosophy, like his
or her identity and experiences, continue to evolve and (ideally) grow and
deepen. For that reason, I find the Emerson who
emerges in his journals to be infinitely more interesting and complex and
attractive (as a thinker, as a writer, as an inspiration) than the one from
whom we hear in the speeches and essays. And likewise, my vote for the most
powerful and convincing work of American philosophy would be another journal,
and one only published posthumously and so not at all written with immediate
publication and persuasion among its goals: the journal of
John Woolman (1720-1772), the itinerant Quaker minister who
traveled through America for much of the 18th century, developing an
impassioned and evolving perspective on religion and faith, community and
charity, anti-slavery and Indian rights, pacifism and social activism, and many
other complex questions through those journeys and the many people and worlds
he encountered on them.
Woolman’s
journal is eloquent and beautifully written, a literary masterpiece that
has been in print since prior to the Revolution (it was published in 1774,
two years after Woolman’s death) and so can lay claim to being one of our most
foundational texts. Yet despite that stylistic and formal impressiveness it has
an intimate quality, a rawness of perspective, that makes clear just how
closely it reflects the open mind and heart of its author. From its first
line—“I have often felt a motion of love to leave some hints in writing of my
experience of the goodness of God, and now, in the thirty-sixth of my age, I
begin this work”—Woolman stresses both that intimacy and the text’s fluidity,
its ability to grow and develop alongside him and his identity (and indeed he
would write it throughout his final decade and a half of life). And in the
book’s twelfth and final chapter, written over the months before Woolman’s
death—and in fact in that chapter’s final paragraphs, likely composed just days
before that tragic event, with it perhaps in sight—Woolman writes, “I have gone
forward, not as one travelling in a road cast up and well prepared, but as a
man walking through a miry place in which are stones here and there safe to
step on, but so situated that one step being taken, time is necessary to see
where to step next.” I don’t know that any single sentence has ever better
captured life’s journey than that one—and I do know that few American texts
offer a better guide to moving through life than does Woolman’s journal.
Last early
writing tomorrow,
Ben
PS. What do you
think? Early American writers or works you’d highlight?
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