Jeff
Renye follows up Monday’s post, writing, “In his essay ‘Uncle Tom's Shantih,’
which can be found in the collection Melodies Unheard: Essays on the Mysteries of
Poetry (2003), the American poet Anthony
Hecht focuses on the first 18 lines of The Waste Land. Through a contextualization of those first lines,
Hecht's excellent close-reading shows how important Eliot's allusions are to an
introduction and set up of the themes of exploitation, sexual and otherwise,
that play out in many other parts of the poem before those repeated words of hope
that are uttered in the poem's final line.”
Steve
Railton highlights another great spring poem, Emily Dickinson’s “A little Madness in the
Spring.”
Irene
Martyniuk responds to Tuesday’s post, writing, “So not American but so wonderfully
Modernist and a piece of music I and others still enjoy--Igor Stravinsky's Rite of Spring. It was, of course, created as a ballet
for the 1913 Paris season of the Ballets Russes under Diaghilev and
choreographed by Nijinsky. Even better, there were riots on the opening night
because the style was so different. I think I like the music because it is
based on pagan Slavic folk songs, which played in my house a lot growing up.
Anyway, the collaboration here is so fabulously Modernist that it hurts.”
Virginia Clemm Poe follows
up Wednesday’s post, writing, “While this is not as thoughtful as the songs of
protest, the images of spring are just as beautiful in Big Fish. Burton tied the flashbacks of the father's youth (and the
eventual future of the son's acceptance of the folkloric tradition) in the
spring. This made the entire film (having never read the book) feel youthful,
resilient and visually appealing. Specifically the proposal scene with the glowing
daffodils. Which I have to keep running in my head with the never-ending supply
of snow... at least it will grow daffodils all over my front yard!”
Monica
Jackson follows up Thursday’s post, writing, “Frog and Toad....I've never read them, but for
some reason they remind me of characters from The
Wind in the Willows.
I lived in England as a kid and loved those stories, mainly because my school
always took us on field trips to watch plays and that was one of them.”
And Rob Gosselin adds that “All children have a special relationship
with fiction. They take it to heart at a depth that some people grow out of.
Grown-ups who keep the magic eventually become English majors. Or writers. … The
Giving Tree by Shel Silverstein. Mr.
Pine's Purple House by Leonard P. Kessler. These were two of my
favorites.”
Next
series starts Monday,
Ben
PS. What
do you think?
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