[For my annual
Valentine’s follow-up, I wanted to keep the FilmStudying going and
highlight some non-favorite filmmakers and films. This crowd-sourced post is
drawn from the responses and nominees of fellow Non-FavoriteStudiers—add yours
in comments, please!]
In response to
Monday’s Scorcese post, Rob LeBlanc
writes, “This is an interesting critique, and one that has a
lot of merit to it, but I have managed to view that movie [Goodfellas] as the moralizing tale that he wanted it to be, when
I've been in the right mood. It is very hard to view a protagonist who gives
the voiceover as a willing cog in a wheel of corruption when he constantly
argues that he has been harassed or mistreated, but I think the voiceover could
be viewed as the most pathetic time yet in Henry's efforts at pulling himself
into a glamorized, criminal American image that he talks about in the opening
portion.”
Nancy
Caronia responds, “Yeah, I find Goodfellas a tale that suggests you can be a criminal, but your
ending can be no good. All three main characters are either dead physically or
spiritually. Henry Hill is like Stephen Burroughs—the tale he weaves is an
attempt to make himself look like the victim, but he only comes across as the
biggest ass. I think he understood your critique and that’s why he made Casino—a movie I find hard to watch
because there is no glimmer of hope in any of the characters at all. No
romance, no life, just crooks who will die alone in a hole somewhere. Teaching
a film class focused on Italian Americans in film. My students were freaked out
by The Godfather—too violent (ironic
considering our state is about to legalize campus carry). We will see how they
do with Goodfellas.”
Andrew DaSilva
adds, “What about Silence or Street Scenes which are so very different than
his usual crime sort of movie?”
Ian Murray writes, “My least favorite movie, that other people seem
to like, is The Wolf of Wall Street.
I was disgusted within the first ten minutes and that's all I needed to know
about the Wolf.” He adds, “I'm glad I didn't go to the theater, it would have
been the second film I walked out of. The other was Van Helsing, which I didn't have high hopes for to begin with. As
it is, I have never made it all the way through Wolf and I don't plan on revisiting it.” And he also adds, “I don't
care for Natural
Born Killers, either.”
Mark Lawton responds to Thursday’s Shining
post, writing, “It’s also no secret that King
famously HATED the film adaptation by Kubrick. I’ve seen
the film several times and too feel like I am missing something. Ben, did you
happen to check out King’s sequel, Doctor Sleep? (Also
coming soon to a theater near you). Of course, to understand that book, you
would have to forget everything about Kubrick’s ending.”
Other non-favorite nominees:
Tim
McCaffrey writes, “Time travel ruins everything,” adding “It
is an incredibly common and, I think, lazy plot device. Even [SPOILER] in the new
Lego Movie - like, why does the Lego Movie need time
travel?”
Padmini Sukumaran writes, “I ABSOLUTELY, TOTALLY hate the 2006 film, Apocalypto! The main character is a complete
insult to the classification of a ‘hero.’ Rather, he is the textbook definition
of a Narcissistic Sociopath!” And Diego Ubiera agrees with the nomination of Gibson's film.
Marty Olliff
shares, “To Kill a Mockingbird. My problem
isn't the book, the movie, or Harper Lee, but the fawning fan base who drip
saccharine as they gush and swoon. Thus does TKAM (when you can refer to it by
initials, things have gone too far) suck all the air out of the room for AL
literature.”
On Twitter, One Love nominates, “The Catcher in the Rye. The whiny
entitled man child.”
R.J. Reibel
writes, “The film version of
A Wrinkle in Time was so so bad
when compared to the book.”
Jeff
Renye goes with The
Interview.
Maria DiFrancesco nominates
American
Psycho.
Kate Smith
shares, “La
La Land. Tear my eyes out. Then again, I've never slept so well on a
plane as I did when I decided to watch that movie, so maybe it's a love/hate
thing.”
Jacquie Carter-Holbrooks writes, "Although I like Geoffrey Rush very much, I really disliked the film version of The Book Thief. I’m not sure anyone could have played the Papa / Hans character adequately."
Jonathan Silverman nominates Forrest Gump.
Jacquie Carter-Holbrooks writes, "Although I like Geoffrey Rush very much, I really disliked the film version of The Book Thief. I’m not sure anyone could have played the Papa / Hans character adequately."
Jonathan Silverman nominates Forrest Gump.
And to end on a more positive note, Olivia Lucier
writes, “Clark
Gable III was found unresponsive in his room this past weekend. How about a
tribute to the great Clark
Gable and his films!” Hopefully soon, as this blog will always focus more
on favorites than non-favorites, I promise!
Next series
starts Monday,
Ben
PS. What do you
think? Responses to these nominees or other non-favorites you’d share?
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