[The Fall
semester is just around the corner, so this week I’ll preview some of the
courses and plans for which I’m excited as a new semester gets underway. I’d
love to hear your own upcoming courses, plans, work, or whatever else has you
excited for Fall 2016!]
Two changes I’m
making in my second iteration of a course—both of which could use your input!
It’s rare, in my
experiences at Fitchburg State at least, to create a new course and then have
the chance to teach it again a year later, learning from that first version and
then getting to apply those lessons immediately; but that will be the case this
fall with my Honors
Literature Seminar on America in the Gilded Age. As I wrote in the semester
recap post, the class went really well and yielded some striking and
significant collective conversations and insights along with the impressive
individual work you’d expect from our Honors Program’s exemplary students. As a
result, I haven’t changed the course’s units and readings—either the multi-week
long texts or the complementary shorter ones in a variety of genres/disciplines—much
at all, other than the usual tweaks with those couple texts that just didn’t
quite connect with enough students to yield meaningful discussion. Yet as
always there were elements of the course that didn’t work as well, and in response
to two of them I’ve made changes that remain in development and on which I’d
love to hear your thoughts.
One change
involves the course’s student presentations. I use various types of individual presentations
in almost every class I teach, but in keeping with the rigor of an Honors
seminar, I opted last fall for Discussion Leading, a form I use in senior-level
courses where each presenter takes over as the professor for an extended period
of both presentation and discussion. The presenters all did great jobs, but the
readings and material were just too dense and demanding to make for easily vibrant
conversations, and these periods of class consistently felt very quiet and low
energy. I’m certainly not going to abandon the individual presentation
component, though, so this fall I’m trying a form I’ve never used before: panel
presentations, where 3-4 students present on the same text/materials and engage
each other in conversation before opening it up to the class as a whole. I’m
sure this form will feel intimidating to many students, but I’m hoping to make
clear both that it’s not group work (ie, they don’t have to meet to prepare
ahead of time in order for a panel to be successful) and that it’s excellent
preparation for a variety of educational and professional settings (from
conferences to meetings). But as I say, I’ve never used this model in a class
before, so I’m very open to any and all thoughts, tips, concerns, or other
takes you’d like to share!
My second change
is far less clear-cut, but one to which I’m also committed. As I wrote in the
semester preview post for last fall’s first version, I have no problem with
asking students to work with the kinds of historically distant and formally
demanding readings and materials on which this course focuses; but as I’ve
noted many
times in this space, I also believe there’s a good deal to be said for
finding ways to engage students sufficiently that they can get to the more challenging
analyses and ideas. For this course, one way I’ve decided to provide that
engagement is through pop cultural texts that portray some of the same periods
and issues—with exhibit A being an episode or two from the first season of Deadwood, a ridiculously entertaining TV show
that deals with many of the themes (not just the West, but also gender and
identity, class and work, Chinese American communities, and more) at the heart
of the class. Yet at the same time, I know it’s not enough just to screen an
episode—we’ll have to find ways both to analyze this cultural text and to put
it in conversation with other class texts and materials. I’ve done that with
multimedia texts in other interdisciplinary courses (such as my team-taught Intro
to American Studies class focused on the 1980s), but never in a literature
seminar like this one. Which means, once again, that I’d love to hear your
thoughts!
Next preview
tomorrow,
Ben
PS. Thoughts on
this course? Other previews or plans you’d share?
I've managed to completely miss out on Deadwood - I have many friends who rave about it, but I never got around to it. Maybe I'll give it a shot.
ReplyDeleteI sadly will never be able to use it in class - HBO shows are tough for high school, for obvious reasons, though I did manage to use an episode of the recent miniseries Show Me A Hero in my senior Race in America seminar.
First season is really really great, Andrew.
ReplyDeleteLoved that show as I do all of Simon's work. How did you frame and discuss the ep, if you don't mind telling me more? Thanks!
We'd been examining redlining and de facto housing segregation, and how African Americans were forced, through semi-legal means, into substandard housing and therefore segregated schooling. The episode we watched was the third, which did a good job of demonstrating the northern version of massive resistance to desegregation orders. With some scaffolding, it helped clarify the idea of structural racism for kids who often think that racism is defined solely as 'people being mean to each other'.
DeleteGreat, thanks!
ReplyDelete