[December 12th
will mark the
100th anniversary of Frank Sinatra’s birth, and since Sinatra
was as well-known for his famous
group of friends as for his individual achievements, I wanted to spend the
week AmericanStudying such circles of friends. Leading up to a special weekend
post on the Rat Pack!]
Let me start by
saying that I’ve gotten a lot of pleasure out of Friends over the years; once they got into their rhythm, this was
one of the
better ensemble casts of any sitcom in history, and produced lots of very funny as well as
many touching moments over the years. But at the same time, like so
many hugely popular cultural works, this TV show also reflected and
extended some of the darker elements in America’s collective psyche. Here are
three such dark sides to the mega-successful comedy:
1)
Anti-Intellectualism: As Richard
Hofstadter knew all too well, there’s been a longstanding, influential
current of anti-intellectualism in American society. And in its consistently
snarky and often downright nasty portrayal of Ross Geller (David Schwimmer)’s
job as a college professor of paleontology, Friends
unfortunately played into this current and to the stereotypes
of eggheaded academics on which it has often relied. Each character’s work
world was the subject of plenty of jokes, but I would argue that only Ross’s
was so thoroughly tied to the character’s worst personality traits and
tendencies, with virtually no attention to any other elements of the
profession. Not smart, Friends.
2)
Homophobia: To be honest, there’s not much I can
say about Chandler Bing (Matthew Perry)’s constant homophobia that wasn’t said
already in this
great Slate piece. But I would
particularly single out the character of Chandler’s father, who is either a
cross-dressing man or a transgendered woman (it’s never made quite clear, but
the character is played
by Kathleen Turner), and whom both Chandler and the show treat almost
entirely as a combination of cringing embarrassment and shameful joke. Transparent or Grace and Frankie this most
definitely isn’t, folks—and even for its own late 90s/early 00s moment, Friends was behind the curve.
3)
Diversity: None other than the
great Ta-Nehisi Coates has referenced the thoroughgoing lack of racial diversity
on Friends, as well as the careless
way the show recycled the same plotline for its two prominent African American
guest stars, Aisha
Tyler and Gabrielle Union. But the show’s diversity problem was even broader
and deeper than that: this was a show set in New York City in the late 20th
century, and the only
prominent Asian character was literally fresh off the plane from China; I
can’t remember any significant Hispanic characters or indeed prominent
characters of any non-white ethnicity other than the three I’ve mentioned (and
that’s over ten seasons!). I’m not arguing that one of the six friends would
have had to be non-white, necessarily—but if their turn of the 21st
century American world is so completely white, well, that’s an indictment of
either the characters or the show.
Special post
this weekend,
Ben
PS. What do you
think?
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