[Even—perhaps especially—recent,
painful, and controversial events and topics demand our AmericanStudying. So
this week, I’ll offer a handful of ways to AmericanStudy September 11th,
2001, and its contexts and aftermaths, leading up to a special memorial post
this weekend.]
On how two 80s
films force us to confront uncomfortable histories.
There are lots of reasons why many 1980s films are difficult
for a contemporary audience to watch and take seriously, but for two late 80s action
films, there’s one specific, shared element that would produce a great deal of
discomfort in a 2015 American audience. Timothy Dalton’s first James Bond film,
1987’s The Living Daylights
(a personal favorite of mine, for lots of reasons not germane to this blog
post), and Sylvester Stallone’s third Rambo film, the aptly titled (and much
less effective, at least for anyone not a 10 year-old boy) Rambo III,
both feature extended sequences set in Afghanistan, plotlines in which our
heroic protagonists join
forces with the Mujahideen, the Afghan resistance to the invading Soviet
forces. The logic of these alliances is obvious enough—not only are the
Mujahideen opposing the Evil Empire, the superpower against which both Rambo’s
US and Bond’s British are thoroughly allied, but they’re also the plucky underdogs,
freedom fighters taking out tanks and helicopters with rocks and cleverness,
the Minutemen and the Redcoats all over again.
Thanks in significant measure to the Mujahideen’s
efforts—and in these filmic universes to Bond’s and Rambo’s contributions as
well, of course—the Soviets were indeed repulsed, withdrawing all troops from
the country in 1989 (a debacle that contributed without question, in both
financial and public relations terms, to the Soviet bloc’s collapse over the
following couple of years). The problem for a contemporary American audience is
what happened next: the Mujahideen morphed very directly into the Taliban and
al-Qaeda, extremely conservative Muslim radicals and terrorists with
CIA training and funding, American and Western European weaponry, and a
healthy grudge against all foreign invaders (a category that would almost
immediately be redefined to include American troops stationed in Arabic nations,
such as Saudi Arabia, during and after the 1991 Gulf War). That the US helped
create or at least refine and weaponize Osama Bin Laden and his cohort does
not, of course, absolve those individuals of the responsibility for their
decades of brutal attacks, mostly on innocent civilians and much of the time within
the Muslim world; neither, to cite an explicit parallel, does the Reagan and Bush
Sr. Administrations’ decade of support of Saddam Hussein in his conflicts
with Iran and the Kurds (there’s a particularly telling picture of Reagan envoy Donald
Rumsfeld shaking Hussein’s hand in 1983, during a time in which US
intelligence knew Hussein was using chemical weapons on the Kurds) make Hussein
any less of a brutal and evil dictator.
And yet, can we tell the stories of Bin Laden and 9/11, of
Hussein and the two Iraq Wars, stories that each have ended in at least partial
US triumph with the captures and deaths of both men, without including these
significantly more complicated earlier histories? Or, more exactly, in telling
the stories without the histories, as we have most certainly largely done over
the last decade and a half, what kind of harm are we doing not only to the
complexities of our historical and international role and presence, but also to
our understanding of the far from static nature of good and evil in the world,
of for whose victories we’re cheering as opposed to in whose deaths we find
justice and how much those categories can change over time and with other
shifts? These questions are quite literally exhibit A in the thinking
I’m continuing to do about these American issues, not only because they’re
so salient and present but also precisely because they’re so controversial –by
far the easier kind of patriotism is just a celebratory one, the chants of
“USA” on the White House lawn and at Ground Zero; and yet the
harder and more meaningful kind of patriotism remains one that celebrates
justice while recognizing the interconnected injustices to which we have
contributed.
Again, this isn’t an either-or; admitting and engaging with
the injustices does not in any way excuse or mitigate Bin Laden’s horrific and
evil deeds, nor minimize the importance of bringing him to justice for them. But
at the end of the day, Bin Laden himself is entirely insignificant compared to
the questions of how we understand and engage with our own identities and
histories; and on that score, we’ve got lots more work to do. Next
AmericanStudying tomorrow,
Ben
PS. What do you
think? 9/11 contexts and analyses you’d share?
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