On the Newport sisters-in-law whose later lives diverged dramatically.
At the same time that Cornelius and Alice Vanderbilt were building The Breakers,
Cornelius’ brother William and his wife Alva were completing their own Newport
mansion, Marble
House. Located just down the street from each other, these two Vanderbilt
homes jointly exemplified and dominated late 19th century Newport
society, and it’s easy to see the two women as similarly parallel. Yet the two
marriages ended in very different ways—Cornelius died suddenly in 1899, at the
age of 56, and the widowed Alice lived 34 more years but never remarried; Alva
controversially divorced William in 1895 and married the younger Oliver H.P.
Belmont, moving down the street into his home Belcourt Castle—and those
ends foreshadowed the two women’s increasingly divergent trajectories.
Both Alice and Alva would continue to play significant roles in Newport and
New York society for their more than three remaining decades of life, but in
dramatically different ways. Alice, known as the dowager
Mrs. Vanderbilt, made her New York and Newport homes the social centers for
which purpose they had been built, donated philanthropically to numerous causes
(including endowing a
building at Yale and one at
Newport Hospital), and generally maintained her traditional, influential, powerful
high society status. Alva, on the other hand, forged more pioneering and modern
paths: her passion for architecture led her to become one of the first female
members of the American Institute
of Architects; her dissatisfaction with the highly traditional New York Academy
of Music led to co-found the Metropolitan
Opera; and, most tellingly, she became one of the most active and ardent
supporters of women’s suffrage, forming the Political Equality League,
establishing the National Women’s
Party, and working with Anna Shaw, Alice Paul,
and other luminaries to help ensure the passage
of the 19th Amendment.
From an early 21st century perspective, Alva’s path seems
clearly the far more influential, impressive, and inspiring one; whatever we
think of her architectural and musical endeavors (and they were certainly
important), few 20th century American achievements were more
significant and lasting than women’s suffrage, and Alva’s efforts played a
meaningful role in helping effect that change. But I think it would be a
mistake to discount all that Alice did and accomplished in those thirty-plus
years after her husband’s unexpected death, and the legacy that her efforts
likewise left behind. Indeed, Alice’s independent and influential life offers an
implicit but compelling argument for women’s social and political equality, for
how much every American has to offer his or her society and era. Without the
presences and contributions of both of these women, far more than just Newport
society would have been impoverished.
Final Breakers story tomorrow,
Ben
PS. What do you think?
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