Our fourth
speaker, Jim
Dalton (with accompaniment, literally, by his wife Maggi Smith-Dalton) talked and
performed some of the more interesting details of the life and public work of
composer and bandleader P.S.
Gilmore.
I’ve
written a bit about Maggi
in this space before (such as in her role as editor and chief writer for
Boston.com’s Salem
“History Time” series, for which I’ve been fortunate
enough to contribute
a couple articles), but it bears repeating: the Daltons bring a unique and
very interesting American Studies perspective and career to NEASA. Equal parts
musicians and performers, public and scholarly historians, and educators, their
work does what I’d say is perhaps most important for American Studies work in
general: connecting and engaging with a broad audience, bringing our interests
and subjects to Americans in meaningful and deeply inspiring ways.
Jim’s talk
at the Colloquium did all of those things too, and not just because of the two
delightful musical performances it included (one of Jim solo on a historic
banjo, one accompanied by Maggi’s singing). He got us deep into the musical and
biographical histories related to Gilmore, but also touched upon Salem and 19th
century American histories, militia musters and the antebellum and early Civil
War world, changing aspects of performance and community in America, the National
Peace Jubilee, and much else besides. Both Jim’s talk and the one that
followed it (on which more tomorrow!) took the focal points of our first three
and illustrated just how much they connect to many other, equally interesting and
important American Studies questions. And did so very entertaingly to boot!
Next
speaker tomorrow,
Ben
PS. What
do you think? Any American musicians or musical histories you’d highlight?
5/17 Memory Day nominee: Archibald
Cox, the lawyer,
professor, and Solicitor
General whose most lasting legacy was as one of the most
famous and influential Watergate special prosecutors.
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