[With pre-season sports practices beginning this week, I’ve officially got two sons in high school (!!!!). So this week I’ll AmericanStudy pop culture representations of American teens—share the teen texts & contexts that stand out to you in comments, fellow kids!]
On classic rock,
pseudo-nostalgia, and the undeniable role of pop culture in our lives.
Kid Rock’s “All Summer Long” (2008)
features—repeats as the opening two lines of its chorus, no less—one of the
worst “rhyming” couplets in recent years, if not indeed in all of American pop
music: “And we were trying different things/And we were smoking funny things.” So
it’s fair to say that I shouldn’t necessarily subject the song’s lyrics, or any
Kid Rock-penned words, to the most rigorous AmericanStudier analyses (Kid Rock’s
political preferences,
on the other hand…). But while “All Summer Long” doesn’t quite rise to
Dylan-like lyrical complexity, the song does comprise a particularly striking
example of what I would call the pseudo-nostalgia often found in the very
concept of “classic rock”: in its title line, “Singing ‘Sweet Home Alabama’ all
summer long”; in its concurrent, repeated evocation of the vital role of “our
favorite song” and “play[ing] some rock and roll” in creating its idyllic
teenage memories; and even musically, in its samples of both the Skynyrd song and (very,
very randomly) an infinitely better song, Warren Zevon’s “Werewolves of London.”
So why does a
song about, as the opening verse locates us, “1989” and “summertime in Northern
Michigan” make such defining use of a 1974 song by a Jacksonville, Florida band while
sampling a 1978 one by a Chicago
singer/songwriter? To my mind, these classic rock references link Kid
Rock’s song to one by his fellow Michigander (and oft-cited musical influence)
Bob Seger, “Old Time Rock
and Roll”; Seger’s song is perhaps the clearest single expression of
classic rock pseudo-nostalgia, the attitude that music used to be great and has
sadly fallen off, and thus that the best we can do in the present is play that
old time rock and roll. I call this attitude pseudo-nostalgia in part because
of the blatant irony and even hypocrisy involved in denigrating contemporary
music and pop culture while contributing to them; and in part because it seems
to me less interested in the past itself in any specific or meaningful ways,
and far more in the seeming authenticity or coolness that such an attitude
grants its holder in the present.
On the other
hand, I can’t claim to know what songs or artists Kid Rock and his teenage
girlfriend and friends played on the beaches of Northern Michigan in 1989—and
in any case it would be hypocritical of me to critique their classic rock
affinities, given how much classic songs and albums by artists like Skynyrd, Seger,
Tom Petty, Pink Floyd, and, of course, Bruce
Springsteen meant to my own youthful life and identity. Indeed, I would
argue that my generation was the first for whom the popular culture of our
parents’ generation was at least as meaningful and constitutive of our
perspectives and identities as that of our own—a phenomenon that has only been
amplified since, thanks in large part to the ways in which YouTube and the rest
of the digital world have preserved so much of 20th century pop
culture into the early 21st century. Our 21st century
summer playlists are indeed as likely to feature “Sweet Home Alabama” as “All
Summer Long,” not just in a nostalgic way but also and more importantly as a
vital part of our present culture and world. Works for me!
Last teen texts
tomorrow,
Ben
PS. What do you
think? Other teen texts & contexts you’d share?
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